Argo F**k Yourself

Some stories are so unbelievable that they can only be true. Argo is one such story.

The film opens in 1979, in the middle of an Iranian revolution. We see angry crowds swarm outside the American embassy in Iran, viciously protesting for the extradition of recently deposed Shah Mohammad Reza Pahlavi – demanding that he be returned to Iran to hang for his crimes against its people.

After days of rioting outside the gates, the US embassy is eventually overthrown by revolutionaries and the inhabitants held hostage. Six American diplomatic staff evade capture , however, and take shelter in the home of the Canadian Ambassador. If discovered, they face brutal and public execution

Back home at the White House, the administration of President Jimmy Carter is running out of time. The best man available for the worst job imaginable is Tony Mendez (Ben Affleck), a CIA agent who specialises in “exfiltration” – retrieving ordinary US citizens from extraordinary situations all over the world.

Mendez has an idea and, by his own admission, it’s a longshot. After much deliberation, the proposal gets a green light, largely due to the words of Bryan Cranston’s character – “It is the best bad idea we have”.

The Mendez pitch is this: he will travel to Tehran posing as a Canadian film producer. Once there, he will persuade the newly installed (and radically militant) Iranian regime that the six stowaways are his crew scouting Middle East locations for an upcoming sci-fi production.

There are multiple passports to be forged, and a lot of fast talking to be done. One minor slip-up, and everyone dies. Including himself.

Affleck’s third feature film as a director, Argo is a taut, well-paced suspense thriller with so much palpable tension that it has you on the edge of your seat.

The screenplay (based on a book penned by Mendez) is the key, relaying tons of information while ably carrying in excess of 100 different speaking parts. Sometimes it sticks to the facts. Sometimes it embellishes them. Nevertheless, you will be hanging on each and every word.

The acting of the ensemble cast – led strongly by Affleck – is faultless. No one steals a scene. Everyone picks one up, runs with it a while, and hands it to someone else.

All in all, Argo is a stunning achievement in direction, screenwriting, acting and filmmaking. If this movie doesn’t bag at least one Oscar, I’ll eat my hat.

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1 Comment

  1. How many hats do you own? 😀
    Thanks a lot for this – it makes me want to see it. And I find Afleck plays another “agent” role. I don’t know how many he did have, but I remember him in “The Sum Of All Fears.”
    Thanks again! Take care!


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    Kelly O'Brien

    Kelly O'Brien

    Kelly here! Thanks for visiting my little blog. This is the section where I waffle on about myself for a bit, on the off chance that you're interested... Education: I have a BA in New Media and English and will soon have an MA in Journalism, both from the University of Limerick. Writing History: I've been involved with organisations such as the Limerick Leader local newspaper, Live95fm,,, and Review magazine. I was Editor of An Focal newspaper and I set up UL FM, Cellar Door Literary Magazine and Current Projects: At the moment, I work as a Digital Intern with the Irish Examiner, and I also write for State Magazine and FilmJam. Extra-curricular: I love travelling and going to gigs and being involved in a million different things at once. I've lived in Glasgow, Ireland and New York and I've been to three continents so far... hopefully a few more by the time life runs out. That's me, in a nutshell really. If you wanna ask me anything, you can leave a comment on the site, on the Twitter, or on the Facebook page. Kel xxx

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